Tell your friends about this item:
Banda Da Capital
Our customers say:
Also available as:
Banda Da Capital
Som Imaginário are the stuff of MPB mythos. Integral to Brazils Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between 70 and 73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But armed with genius composers, arrangers and stupendously high-level musicianship, Som Imaginário introduced a potent harmonic complexity to Brazilian popular music, which would inspire generations of artists to come.
On 4th October 1976, having finished a spell of recording and touring with Milton Nascimento, Som Imaginário performed a concert in celebration of Nature Day in Brasília. The recordings of the show would become Banda Da Capital, which, for the past half century, has laid dormant, waiting for its mystical power to be untapped.
In the band that day were original members Wagner Tiso and Fredera, joined by Nivaldo Ornelas, Paulinho Braga and Jamil Joanes. Operating within such a hugely creative and free-spirited scene meant line-up fluctuations were inevitable and former Som Imaginário members also include Laudir de Oliveira (who left to join Chicago), Nana Vasconcelos (who also moved to work in the US), Zé Rodrix, Robertinho Silva, Novelli and Toninho Horta.
Titled after the Belo Horizonte radio station where they would practice during their youth, the show opens with Rádio Guarany, an improvisation led by Paulinho Braga and Nivaldo Ornelas. The track morphs into Nivaldo Ornelas composition Xa Mate, which also opens Milton Nascimentos Milagre dos Peixes ao Vivo album, featuring Som Imaginário and a 32 piece orchestra.
Having grown up together in Minas Gerais, composer, arranger and keyboard player Wagner Tiso had been another close musical partner of Milton Nascimentos. Some of their work together includes many of Bitucas most beloved albums, including Clube Da Esquina, Milton Nascimento (1970) and Maria Maria / Ultimo Trem, as well as Native Dancer: Nascimentos album with Wayne Shorter.
Explaining the inspiration behind two of the tracks on Banda Da Capital Igreja Majestosa (written with Nivaldo Ornelas) and Os Cafezais sem fim, Tiso remincies:
On Sundays I used to watch the coffee plantation workers entering the church. I´d see them working all week, in their humble, dirty clothes. But I was always enchanted by their immaculate dress on Sundays. Taken from a line in a poem by my father, which became the hymn of the city of Três Pontas, the song the majestic church and the endless coffee plantations became sacred for me, because it came from something joyful, from the workers.
One of the album's most tender moments is a beautiful rendition of the post-tropicalista folk-rock classic Sabado, written by Fredera for Som Imaginiaros debut album. The lyrics are typical of the desbunde: those on the Brazilian left whose response to authoritarianism was a politics of pacifist, often psychedelic, non-conformity (similar to that of dropping out in the US)...
Eu quero o céu e vou com guizos nos sapatos / Minha roupa em farrapos coloridos vou rasgar / E vou dançar entre os cristais azuis do tempo e esquecer
I want the sky and will go with bells on my shoes / I will tear my clothes into colourful rags / And I will dance among the blue crystals of time to forget.
Jamil Joanes, best known as a member of Banda Black Rio, is another Minas Gerais native. His composition for the album is Imaginados, a stunning unplugged guitar and vocal performance, highlighting Som Imaginários south-eastern home states influence on their sound.
The CD and digital release of Banda Da Capital feature two bonus tracks from a separate concert at Museu de Arte Moderna, in Rio de Janeiro, on October 6th 1975. These are another arrangement of Armina and Toninho Hortas stunning performance of his composition Manuel o Audaz, which he would later record with Pat Metheny and Lo Borges.
The recordings were taken direct from the sound desk at the show and have been restored and mastered by Frank Merritt @ The Carvery, London.
Banda Da Capital will be released on vinyl LP, CD and digitally on 2nd June 2023 via Far Out Recordings.
- A1 Rádio Guarany (Paulinho Braga, Nivaldo Ornelas) - 3:42
- A2 Xá-Mate (Nivaldo Ornelas) - 1:57
- A3 A Igreja Majestosa (Wagner Tiso, Nivaldo Ornelas) - 5:26
- A4 Os Cafezais sem Fim (Wagner Tiso) - 7:53
- A5 Armina (Wagner Tiso) - 5:39
- B1 Banda da Capital (Wagner Tiso, Nivaldo Ornelas) - 11:21
- B2 Sábado (Fredera) - 4:35
- B3 Imaginados (Jamil Joanes) - 6:19