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Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending - Material Texts
Elizabeth L. Eisenstein
Divine Art, Infernal Machine: The Reception of Printing in the West from First Impressions to the Sense of an Ending - Material Texts
Elizabeth L. Eisenstein
The author of the hugely influential The Printing Press as an Agent of Change offers a magisterial and highly readable account of five centuries of ambivalent attitudes toward printing and printers. Once again, she makes a compelling case for the ways in which technological developments and cultural shifts are intimately related.
384 pages, 24 illus.
| Media | Books Paperback Book (Book with soft cover and glued back) | 
| Released | September 10, 2012 | 
| ISBN13 | 9780812222166 | 
| Publishers | University of Pennsylvania Press | 
| Pages | 277 | 
| Dimensions | 158 × 229 × 24 mm · 608 g | 
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    ![Cover for Elizabeth L. Eisenstein · The Printing Revolution in Early Modern Europe - Canto Classics (Paperback Book) [2 Revised edition] (2012)](https://imusic.b-cdn.net/images/item/original/752/9781107632752.jpg?elizabeth-l-eisenstein-2012-the-printing-revolution-in-early-modern-europe-canto-classics-paperback-book&class=scaled&v=1501835415) 
        