Peter Greenaway: Interviews ( )

Marc Notes: Incl. filmography & index; Cloth avail. @ $45.00Publisher Marketing: In these twenty-one interviews, filmmaker Peter Greenaway expresses his film aesthetic and discusses his combat with the dominant Hollywood style of filmmaking. His films have run unmistakably against the main current of present cinematic practice, from the short film "Windows" in the mid-seventies, to his more popular but nonetheless challenging films such as "A Zed and Two Noughts" and "The Pillow Book" in the nineties. In this collection the ever-controversial Greenaway discusses his philosophies of film, art, aesthetics, literature, and reality, criticizing and even condemning the standard fare of what he calls Hollywood cinema. For him such films tell stories or they translate literature with its linear narrative onto a medium that he feels should be preeminently visual. He finds that, instead of foregrounding the image and the composition of visual elements as in the long history of painting, Hollywood-style directors seem mesmerized by the "and then and then" narrative. In these provocative interviews Greenaway tells of his ambition to make cinema a medium based more on image than on narrative. He explains his painterly approach in such films as "Prospero's Books" and "The Cook, the Thief, His Wife, and Her Lover," defends his use of total nudity of both sexes, and declares that traditional literary-based cinema is dead. He believes that the most creative imaginations, the most innovative technologies, and the greatest financial resources are being devoted to television and the Internet and that Hollywood moviemaking is no longer in the vanguard. "If you go into the basilica of St. Peter in Rome," he says, "and sit through a service near the high altar of Bernini, you will experience a synthesis of stone, light, music, incense. It is a form of total art, which is what the cinema of the 20th century was supposed to be, even if it only rarely lives up to this ideal." Vernon Gras is a professor of English and cultural studies at George Mason University. Marguerite Gras was a legislative research staffer at the U. S. House of Representatives, 1974-1991. Review Citations: Publishers Weekly 06/05/2000 pg. 86 (EAN 9781578062553, Paperback) Contributor Bio:  Greenaway, Peter Peter Greenaway was born in Wales. He trained as a painter, and began working in the British film industry as an editor in 1965. He started making his own films in 1966, and has continued to produce paintings, novels, exhibitions and theatre and opera work. His 1982 feature, "The Draughtsman's Contract", received great critical acclaim and established him internationally as an important filmmaker. His films include "A Zed & Two Noughts", "The Belly of an Architect", "Drowning By Numbers", "The Cook, the Thief, His Wife & Her Lover", "8 1/2 Women" and "A Life in Suitcases". Contributor Bio:  Gras, Vernon W Vernon W. Gras is Professor of English and Cultural Studies at George Mason University. John R. Cook is Senior Lecturer in Media at De Montfort University, Leicester, England.